Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Carolus-Duran
Au bord de la mer,Mademoiselle Croisette a cheval

ID: 31082

Carolus-Duran Au bord de la mer,Mademoiselle Croisette a cheval
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Carolus-Duran Au bord de la mer,Mademoiselle Croisette a cheval


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Carolus-Duran

French Academic Painter, 1838-1917  Related Paintings of Carolus-Duran :. | Margaret Anderson | Anna Gould | N. M. Polovtsova | Au bord de la mer,Mademoiselle Croisette a cheval | At the Seaside,Sophie Croizette on horseback |
Related Artists:
Jean Decourt
Jean de Court, an enamel painter of Limoges, succeeded François Clouet as painter to the king in 1572, and was in turn succeeded by his son, Charles de Court, in 1584 or 1589. Jean de Court painted in 1574 a portrait of Henry III, then Duke of Anjou.
Kasimir Sergeevich Malevich
Ukrainian Cubist Painter, 1878-1935
Arkhip Ivanovich Kuindzhi
Russian Painter, 1842-1910 Ukrainian painter, active in Russia. Initially self-taught as an artist, he twice failed the St Petersburg Academy's entrance examination, despite coaching by the marine painter Ivan Aivazovsky. In 1868, however, he was accepted as an external student. He persevered against conservative prejudice and poverty throughout his early career, supplementing his income by retouching photographs. In his early landscape paintings he often sought to capture seasonal moods, as in Autumn Mud (1872; St Petersburg, Rus. Mus.). A more human focus, however, is noticeable after 1874, when he joined the travelling exhibitions society the WANDERERS: the village houses dominate the landscape setting in Evening in Ukraine (1878; St Petersburg, Rus. Mus.). Kuindzhi's principal interest, however, was in lighting, and he obtained striking effects by using vivid colours, chiaroscuro contrasts and simple but cleverly conceived designs. Spectacular paintings, such as the Birch Grove (1879; Moscow, Tret'yakov Gal.), greatly moved contemporary viewers. Through years of experimentation, Kuindzhi developed a highly original technique, which he applied to an increasingly typical, at times almost visionary, treatment of subjects such as snow-covered mountains and moonlight (e.g. Elbnis: Moonlit Night, 1890-95; Moscow, Tret'yakov Gal.). Due to imperfections in the paints he used, many of his canvases soon darkened.






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